Violinist Magdalena Filipczak has been praised by THE ARTS DESK as “a musical chameleon, quickly getting under the skin of whatever she’s playing.”
Her recent Carnegie Hall recital debut was heralded by the New York Concert Review as “a concert not to be forgotten…Ms. Filipczak exploited it as the vehicle of violin wizardry it was meant to be…surpassed expectations.”
Performing throughout Europe, North and South America, and Canada, she has appeared as a soloist, recitalist, and chamber musician on many of the world’s most prestigious stages, including Wigmore Hall, Barbican Hall, St John’s Smith Square in London, Het Concertgebouw in Amsterdam, the Tallinn Philharmonic in Estonia, Cracow Philharmonic, the Baltic Philharmonic in Poland, and Curitiba Philharmonic in Brazil. Since 2022, Magdalena has been collaborating as a soloist with the International Conducting Academy (ICA) in London.
Among Magdalena’s many international competition successes, she is the winner of the IV Heino Eller International Violin Competition in Estonia, and recipient of special prizes for the best interpretation of Bach (Bärenreiter Edition Prize), and the best concerto performance (Music Academy in Tallinn Prize). Most recent honours include Gold Prize of 2018 Manhattan International Music Competition, Silver Prize at 2018 Berliner International Music Competition, and First Prize at 2017 United States International Concerto Competition. For her achievements and contributions to the culture, she was awarded Młoda Polska Scholarship by the Polish Ministry of Culture and National Heritage.
Magdalena’s critically acclaimed debut solo CD, Essence of Violin, celebrated by THE STRAD Magazine as “glittering…beguiling…captivating…hauntingly atmospheric,”features works by Polish and British composers, amongst others. The album has recently sold out and is now awaiting re-release. Her upcoming release with the renowned Hungarian pianist Peter Frankl promises to be a significant addition to her discography, and her new recordings with her brother, pianist Lukasz Filipczak, on the legendary ex-Ida Haendel Stradivari, will be released as an EP next year. She has also featured in two albums with music by Grammy Award composer and saxophonist Tim Garland, Songs to the North Sky and Weather Walker, two CDs with music by Peter Gregson, Quartets: One and Quartets: Two, released on Deutsche Grammophon, and two disks recorded with Gruppo Montebello at the Banff Arts Centre in Canada with works the Second Viennese School composers. Magdalena’s violin solos on Rosalía’s new album Lux, and BBC TV and Radio series Thief at the British Museum further highlight her versatility and reach.
Magdalena’s performances have been broadcast on BBC Radio 3, Chicago WFMT Radio, Dutch Radio 4, Canadian Radio, Bulgarian TV, and Polish, Austrian, and Estonian TV and Radio. She has also toured Brazil and Argentina as a guest leader/director with the Tallinn Chamber Orchestra showcasing her dynamic leadership.
Magdalena was one of the Holland Music Sessions’ New Masters on Tour. Festivals appearances include Proms (UK), City of London Festival (UK), Edinburgh Fringe Festival (Scotland), the Perlman Chamber Music Festival (USA), Yellow Barn (USA), Krzyżowa-Music (Poland), Ryedale Festival (UK), Brundibár Arts Festival (UK), Swaledale Festival (UK), Norfolk Festival (USA), Paxos Chamber Music Festival (Greece), Lidköping Festival (Sweden), Tudeley Festival of Chamber Music and Voice (UK), Tallinn Chamber Music Festival (Estonia), IMS Prussia Cove (UK). At the Banff Center Music Residency in Canada, Magdalena premiered a newly crafted violin by Samuel Zygmuntowicz, commissioned by the Banff Arts Center, performing live on radio just a few hours after the instrument’s delivery.
After graduating from the Guildhall School of Music and Drama in London, where she studied with the distinguished Polish violinist Krzysztof Smietana, Magdalena was awarded an Individual Artist’s Fellowship. At the Guildhall she won the Max and Peggy Morgan Violin Concerto Prize, and together with Filipczak Piano Trio the Ivan Sutton Chamber Music Award of the City Music Society in London. Magdalena also trained voice at the Guildhall with John Evans and later she had private lessons with Benita Valente in America. She is also an alumna of Itzhak Perlman’s Music Program (PMP Chamber Music) where she also worked with Mery Peckham, Joel Krosnick, and Roger Tapping.
In 2025, she was awarded Doctor of Musical Arts in Music Performance degree from the CUNY Graduate Center in New York, where she was a recipient of the prestigious five-year Graduate Center Fellowship followed by At-Large Writing Across Curriculum Fellowship. Her final thesis focused on Britten’s Violin Concerto and His Early Period (LINK), offering a comprehensive historical study of the work alongside a detailed score analysis framed through a pacifist narrative. Her advisor was Scott Burnham, who also holds the title of Scheide Professor Emeritus of Music History at Princeton University. During DMA she had been mentored by Daniel Phillips and Donald Weilerstein on the violin, and by Robert White on voice.
Magdalena has been recognised through numerous scholarships, including the Musicians’ Benevolent Fund, the Philharmonia Orchestra/Martin Musical Scholarship Fund, the Craxton Memorial Trust, the City of London Corporation, the Derek Butler Trust, the Wolfson Foundation, the English Speaking Union, the Norfolk Festival/ Yale Summer Music School Fellowship, the Fishmongers’ Company, the Solti Foundation, and the Zetland Foundation.
Beyond her performance career, Magdalena is an inspiring educator, having taught at the City University and Trinity Laban Conservatoire of Music and Dance (Junior Department) in London, and the Aaron Copland School of Music (Queens College/CUNY) in New York. She has given masterclasses in Brazil, Yellow Barn’s Young Artists Program, and through Itzhak Perlman’s Music Residencies in America, sharing her passion and expertise with the next generation of musicians.
Since 2019 she is supported by the Beare’s International Violin Society in London which kindly loans Magdalena some of the finest instruments, including violins by Stradivarius, Nicolo Amati, Guadagnini, Francesco Rugeri or Peter Guarneri.